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Classical Music

Blodeuo - For Chamber Orchestra (2024)

Composed as part of the Presteigne Music Festival 2024, Blodeuo draws inspiration from the landscapes of the Radnorshire Wildlife Trust. During these site visits, volunteers offered insights into the various projects and their approaches to regenerating the landscape to its natural state. Ultimately, discussing how they hope these landscapes with evolve over the coming years, how it will transform and flourish. The landscape itself was beautiful and vibrant, places that felt simply untouched. Blodeuo, especially draws on this influence of transformation and the blossoming of this beautiful landscape, exploring rich textures and harmonies that grow evermore as we journey through the piece, highlighted by organic melodic solos and gestural accompaniment..

Performed by the Presteigene Festival Orchestra

(1.1.1.1/2.0.0.0/ Strings)

AUDIO COMING SOON

Meditation - For Orchestra (2024)

Written as part of the BBC’s Music and Meditation Podcast. This piece was recorded as a guided mediation by Katie Piper and Izzy Judd, drawing on the themes of ‘Making Peace with Imperfections’.

This podcast premiered on BBC Sounds and Spotify (Series 3, Ep.1).

Performed by the BBC Concert Orchestra

(2.2.2.1/2.0.0.0/2 Perc/ Pno/ Hrp/ Strings (no D.B)

BBC Music and Meditation Podcast

Polarity - For Quartet (2024)

Written for the William Mathias Quartet as part of the Bangor Music Festival 2024. Polarity draws inspiration from the works of Tacita Dean, particularly her landscape chalk works ‘Fatigues’. This piece explores the juxtapositions of these works that draw on themes of darkness and light. Throughout the piece there are two distinct themes/characteristics of the piece, which touches upon the monochromic effects of these chalk works. The lightness, explores the subtle, bright and melodic textures of the theme, whilst the darkness totally contrasts through percussive and dark tonalities.

Performed by the Canolfan Gerdd William Mathias Ensemble

(Fl, Vla, Perc, Hrp)

It’s Only a Dream - For Octet (2024)

Composed for the London Philharmonic Orchestra's Junior Artists Showcase. 'It’s Only a Dream' is based on Lewis Caroll's Alice' s Adventures in Wonderland and draws influences from this fantasy and nonsense-like themes presented in the novel. We journey through short bursts of events, starting with an ambient and mysterious opening, sparking curiosity for what's to come. We eventually tumble and arrive in Wonderland and the gestures that were once presented before are later juxtaposed, enhancing the themes of fantasy and nonsense.

Performed by the London Philharmonic Orchestra Junior Artists 2023/24

(Ob, Cl, Bsn / Perc / Harp / Vl.I, Vl.II, Vlc)

Picture This… - For Chamber Orchestra (2023)

Composed as part of the London Philharmonic Orchestra's Young Composer Programme (2022/23), 'Picture This...' draws inspiration from abstract animations by Norman McLaren and Stan Brakhage; Pas de Deux (1968); Begone Dull Care (1949); The Dante Quartet (1987). This piece also draws on the associated techniques which both McLaren and Brakhage used to devise these works. These approaches include drawing and scratching directly on to the film and creating a stroboscopic effect within their visuals.

Performed by the London Philharmonic Orchestra

(2.2.2.2/2.2.2.1/ 2 Perc/ Hrp/ Pno/ Strings)

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NightMusic - For Organ (2021)

Composed as part of the NightMusic scheme by Ty Cerdd, NightMusic is a piece for solo organ which was performed at St. David’s Hall by James McVinnie and draws on the techniques used in electronic music known as Spectromorphology.

Performed by James McVinnie

Purchase NightMusic from Ty Cerdd

AUDIO COMING SOON

The Letters of Vincent van Gogh - For Symphony Orchestra (2021)

The Letters of Vincent van Gogh is an orchestral work which takes inspiration from the paintings and life events of Vincent van Gogh. Additional influences include his painting style; impressionism and the composers associated to this medium such as Ravel and Debussy.

(3.2.3.2 / 4.2.3.1 / Timp / 6 Perc / Hrp / Pno and Cel / Strings)

A Clockwork Portrait - For Symphony Orchestra (2020)

Selected as part of BBC NOW's Composition Wales Scheme, A Clockwork Portrait takes inspirations from the inner workings of ones thought processes. Building upon various gestures which accumulate into a large and dense climactic finish.

Performed by the BBC National Orchestra of Wales

(3.2.3.2 / 4.2.3.1 / Timp / 3 Perc / Hrp / Pno / Strings)

Y Gnocell - For Solo Marimba (2020)

Composed as part of the Encore Scheme for the National Eisteddfod. Y Gnocell, is a short and playful work for solo marimba which draws on the natural sounds of the woodpecker.

Performed by Mary Johnson

WATCH VIDEO BELOW TO LISTEN

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Electronic Music

Pas de Deux - Electroacoustic (2024)

Pas de Deux draws inspiration from David Hurn’s work ‘Small Dance Club’, a moment captured in stillness, this image encapsulates the romantic and intimate gestures of a dance. David Hurn predominantly utilised cameras which printed in monochromic colours (black and white), creating a timeless feel to the image. This work attempts to reignite this moment through sound, exploring the tonalities of jazz ballads and evoking the rich, luscious textures which we see in this work. These rich tonalities almost offer a juxtaposition to the absence of colour to which we see in this image.

Performer: Michael Blanchfield

AUDIO COMING SOON

Dark Matter - Soundscape (2023)

Composed as part of an R&D event with TinShed Theatre Company. Dark Matter explores the diverse landscapes of Mid Wales and how the the natural world evolves across day and night. From birdsong to small micro-organisms beneath our feet, all is to be explored within this ambient piece.

Co-Composer: Joshua Lascar

Llais Y Bannau - Soundscape (2022)

Composed as part of the Green Space Dark Skies event. Llais Y Bannau (Soundscape) draws its influence from the natural landscapes of Craig-Y-Nos and the ideas developed through the community workshops conducted during the course of this project.

Vocals by Teifi Emerald

Llais Y Bannau - Rolling Ambience (2022)

Composed as part of the Green Space Dark Skies event. Llais Y Bannau (Rolling Ambience) is an ambient sequence which utilises all the sounds from the other tracks in this series and is later set to choreography when the ‘luminators’ begin their lighting display.

Vocals by Teifi Emerald

Growth and Honesty - Electroacoustic (2022)

Composed as part of Ty Cerdd’s CoDI Lead scheme. Growth and Honesty is a hybrid piece which draws solely on simple gestures of the French Horn, Flute, Violin and Robo-Recorder. This work primarily draws on my growth as a composer, exploring electronic music in a different style that’s less familiar and to simply have fun working with these sounds.

Performance by Isaac Shieh, Lila Bhattacherjee, Siobhan Clough and Liza Bec

MIXTAPE - Interactive Audio Installation (2021)

Performed at the 2021 Atmosphere's Festival, MIXTAPE is an interactive audio installation based on the world of cassette tapes, where the audience trigger the sounds and events through pressure pads which are programmed through an Arduino and MAX patch.

Other Music

The Game - Short Film (2024)

Composed as part of the British Council Wales ‘Wales-France Culture Fund’. The Game explores the story of a local Welsh rugby club. During this project, members of the Newport community contributed to the development and sound-world of this short film.

Performed by the Fabulo Ensemble (Quintet) and Joshua Lascar (Guitar)

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AXIS - For Solo Harp and Electronics (2023)

Composed as part of the SOLOS concert at SHIFT Cardiff. AXIS draws influence from both the harmonic theory and the compositional structure of a palindrome. We explore almost hints of a theme and variation that interweaves between notational music and graphics scores whilst still maintaining the harmonic integrity and structure of both axis theory and a palindrome. Throughout, the harp is accompanied by a luscious vocal track.

Performed by Cerys Rees (Harp) and Tayla-Leigh Payne (Voice)

Llais Y Bannau - Live Voice and Electronics (2022)

Composed as part of the Green Space Dark Skies event. Llais Y Bannau (Live Voice and Electronics) draws its influence from the natural landscapes of Craig-Y-Nos and the ideas developed through the community workshops conducted during the course of this project. This was also written in collaboration with Teifi Emerald who draws on the theme of Mother Nature through her singing and lyrics.

Performed by Teifi Emerald (Voice)

The London Underground - Live Drum Kit and Electronics (2019)

The London Underground is a highly energetic hybrid piece for electronic and live drum kit. It takes influence from the soundscape of the underground where the live drum kit imitates these gestures throughout the performance.

Performed by Matt Wood (Drum-Kit)

Picture This… - For Chamber Orchestra (2023)

Composed as part of the London Philharmonic Orchestra's Young Composer Programme (2022/23), 'Picture This...' draws inspiration from abstract animations by Norman McLaren and Stan Brakhage; Pas de Deux (1968); Begone Dull Care (1949); The Dante Quartet (1987). This piece not only draws on the visual elements of these animations but the characteristics of the visuals and their associated techniques which both McLaren and Brakhage used to devise these works.

MIXTAPE - Interactive Audio Installation (2021)

Y Gnocell - For Solo Marimba (2020)

Composed as part of the Encore Scheme for the National Eisteddfod. Y Gnocell, is a short and playful work for solo marimba which draws on the natural sounds of the woodpecker.

Performed by Mary Johnson

The Game - Short Film (2024)

Performed by the Fabulo Ensemble (Quintet) and Joshua Lascar (Guitar)

Showreel

Below is a compilation of works from other various projects which may not have been featured above. These works consists of sound/music for theatre, sound design, community workshop sound material and other short excerpts.

Get in touch.

If you are interested in commissioning Tayla-Leigh Payne for any projects or if you wish to hire scores and parts of her works, please contact her below.

Contact Tayla-Leigh Payne